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Photographic film



         


polyester or cellulose acetate) coated with an emulsion containing light-sensitive silver halide salts (bonded by gelatin) with variable crystal sizes that determine the sensitivity or resolution of the film. When the emulsion is subjected to controlled exposure to light (or other forms of electromagnetic radiation such as X-rays), it forms a latent image. Chemical processes can then be applied to the film to create a visible image; This process is called film developing.

Depending on the type of film being exposed, the image produced is either negative polarity (must be printed to positive polarity for proper viewing) or reversal (can be viewed directly -- it is called reversal because it is developed to a negative in the first stage of processing and reversed in subsequent steps). Reversal film produces slides or transparencies, which can be viewed directly, scanned, or projected. Many professional photographers favour slide film, which often has better colour reproduction. The film is scanned before being published in magazines or brochures. Slides can be inspected for sharpness using a high-powered magnifying glass, known as a lupe, and do not need to be printed to see the actual image produced.

Film speed describes a film's sensitivity to light. Fast films are very receptive to light, slow films are not. Films are commonly given ISO (International Standards Organisation) rating on the following scale:

ISO 25, ISO 50, ISO 100, IS0 200, ISO 400, ISO 800, ISO 1600, ISO 3200

ISO 25 film is very "slow", so it requires much more exposure to produce a usable image than ISO 800 film. ISO 800, 1600 and 3200 film is thus better suited to low-light situations and action shots. The benefit of slow film is that it usually has finer grain and better colour rendition than fast film. Professional photographers usually seek these qualities, and therefore require a tripod to expose an image on slow film and keep the camera still for the duration of the shot.

Instant photography, as popularised by Polaroid, uses a special type of camera and film that automates and integrates development, without the need of further equipment or chemicals. This process is carried out immediately after exposure, as opposed to regular film, which is developed afterwards and requires additional chemicals. See instant film.

In black-and-white photographic film there is usually one layer of silver salts. When the exposed grains are developed, the silver salts are converted to metallic silver, which block light and appear as the black part of the film negative.

Color film uses at least three layers. Dyes added to the silver salts make the crystals sensitive to different colors. Typically the blue sensitive layer is on top followed by the green and red sensitive layers. During development, the silver salts are converted to metallic silver, as with black and white film. The by-products of this reaction form colored dyes. The silver is converted back to silver salts in the bleach step. It is removed from the film in the fix step.

Because photographic film was ubiquitous in the production of motion pictures, or movies, these are also known as films.

The first flexible photographic film was made by Eastman Kodak in 1885. This "film" was coated on paper. The first transparent plastic film was produced in 1889. Before this, glass photographic plates were used, which were far more expensive and cumbersome, albeit also of better quality. Early photography in the form of daguerreotypes did not use film at all.

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Companies that manufacture photographic film:

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Information on specific photographic films

See also: Timeline of photography technology, List of photographic equipment makers

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Agfa

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Agfapan APX 100

Type: Black and White Negative

Speed: ISO 100, DIN 21

Available Formats: 35mm, 120, sheet film (9x12cm, 10.2x12.7cm, 13x18cm)

Granularity (x 1000): RMS 9.0

Latitude:

Color Saturation: n/a

Resolving Power: Contrast 1000:1 150 lines/mm

History:

Primary Usage:

General Characteristics:

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Agfapan APX 400

Type: Black and White Negative

Speed: ISO 400, DIN 27

Available Formats: 35mm, 120

Granularity: (x 1000): RMS 14.0

Latitude:

Color Saturation: n/a

Resolving Power: Contrast 1000:1 110 lines/mm

History:

Primary Usage:

General Characteristics:

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Agfa Ultra 100

Type: Color Negative

Speed: ISO 100, DIN 21

Available Formats: 35mm, 120

Granularity: (x 1000): RMS 3.8

Latitude:

Color Saturation:

Resolving Power: Contrast 1000:1 140 lines/mm, Contrast 1.6:1 60 lines/mm

History:

Primary Usage:

General Characteristics:

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Agfacolor Optima 100

Type: Color Negative

Speed: ISO 100, DIN 21

Available Formats: 35mm, 120

Granularity: (x 1000): RMS 4.0

Latitude:

Color Saturation:

Resolving Power: Contrast 1000:1 140 lines/mm, Contrast 1.6:1 50 lines/mm

History:

Primary Usage:

General Characteristics:

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Agfacolor Optima 200

Type: Color Negative

Speed: ISO 200, DIN 24

Available Formats: 35mm, 120

Granularity: (x 1000): RMS 4.3

Latitude:

Color Saturation:

Resolving Power: Contrast 1000:1 130 lines/mm, Contrast 1.6:1 50 lines/mm

History:

Primary Usage:

General Characteristics:

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Agfacolor Optima 400

Type: Color Negative

Speed: ISO 400, DIN 27

Available Formats: 35mm, 120, 220

Granularity: (x 1000): RMS 4.5

Latitude:

Color Saturation:

Resolving Power: Contrast 1000:1 130 lines/mm, Contrast 1.6:1 50 lines/mm

History:

Primary Usage:

General Characteristics:

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Agfacolor Portrait 160

Type: Color Negative

Speed: ISO 160, DIN 23

Available Formats: 35mm, 120, 220

Granularity: (x 1000): RMS 3.5

Latitude:

Color Saturation:

Resolving Power: Contrast 1000:1 150 lines/mm, Contrast 1.6:1 60 lines/mm

History:

Primary Usage:

General Characteristics:

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Agfachrome RSX II 50

Type: Color Reversal

Speed: ISO 50, DIN 18

Available Formats: 35mm, 120

Granularity: (x 1000): RMS 10.0

Latitude:

Color Saturation:

Resolving Power: Contrast 1000:1 135 lines/mm, Contrast 1.6:1 55 lines/mm

History:

Primary Usage:

General Characteristics:

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Agfachrome RSX II 100

Type: Color Reversal

Speed: ISO 100, DIN 21

Available Formats: 35mm, 120

Granularity: (x 1000): RMS 10.0

Latitude:

Color Saturation:

Resolving Power: Contrast 1000:1 130 lines/mm, Contrast 1.6:1 50 lines/mm

History:

Primary Usage:

General Characteristics:

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Agfachrome RSX II 200

Type: Color Reversal

Speed: ISO 200, DIN 24

Available Formats: 35mm, 120

Granularity: (x 1000): RMS 12.0

Latitude:

Color Saturation:

Resolving Power: Contrast 1000:1 120 lines/mm, Contrast 1.6:1 50 lines/mm

History:

Primary Usage:

General Characteristics:

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Agfa Scala 200x

Type: Black and White Reversal

Speed: ISO 200, DIN 24

Available Formats: 35mm, 120

Granularity: (x 1000): RMS 11.0

Latitude:

Color Saturation:

Resolving Power: Contrast 1000:1 120 lines/mm, Contrast 1.6:1 50 lines/mm

History:

Primary Usage:

General Characteristics:


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Forte

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Fujifilm

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Ilford

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Delta 100

Type: Black and White

Speed: ISO 100, DIN 21

Available Formats: 35mm, 120, Sheet Film

Granularity:

Latitude: EI 50/18 to EI 200/24

Color Saturation: n/a

Resolving Power:

History:

Primary Usage:

General Characteristics:

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Delta 400

Type: Black and White

Speed: ISO 400, DIN 27

Available Formats: 35mm, 120

Granularity:

Latitude: EI 200/24 to EI 3200/36

Color Saturation: n/a

Resolving Power:

History:

Primary Usage:

General Characteristics:

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Delta 3200

Type: Black and White

Speed: ISO 1000/DIN 31

Available Formats: 35mm, 120

Granularity:

Latitude: EI 1600/33 to EI 6400/39, up to EI 25000/45 with push processing

Color Saturation: n/a

Resolving Power:

History:

Primary Usage:

General Characteristics:

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XP2 Super

Type: Black and White (C41 Processing)

Speed: ISO 400/DIN 27

Available Formats: 35mm, 120

Granularity:

Latitude: EI 50/18 to EI 800/30

Color Saturation: n/a

Resolving Power:

History:

Primary Usage:

General Characteristics:


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Ortho Plus

Type: Black and White Orthochromatic Copy Film

Speed: ISO 80/DIN 20 in Daylight, ISO 40/DIN 17 in Tungsten

Available Formats: 35mm, 120

Granularity:

Latitude:

Color Saturation: n/a

Resolving Power:

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General Characteristics:


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Pan F Plus

Type: Black and White

Speed: ISO 50/DIN 18

Available Formats: 35mm, 120

Granularity:

Latitude: EI 25/15 to EI 50/18

Color Saturation: n/a

Resolving Power:

History:

Primary Usage:

General Characteristics:


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FP4 Plus

Type: Black and White

Speed: ISO 125, DIN 22

Available Formats: 35mm, 120, Sheet Film

Granularity:

Latitude: EI 50/18 to EI 200/24

Color Saturation: n/a

Resolving Power:

History:

Primary Usage:

General Characteristics:


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HP5 Plus

Type: Black and White

Speed: ISO 400, DIN 27

Available Formats: 35mm, 120, Sheet Film

Granularity:

Latitude: EI 400/27 to EI 3200/36

Color Saturation: n/a

Resolving Power:

History:

Primary Usage:

General Characteristics:


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SFX 200

Type: Black and White with Extended Red Sensitivity

Speed: ISO 200, DIN 24

Available Formats: 35mm, 120

Granularity:

Latitude:

Color Saturation: n/a

Resolving Power:

History:

Primary Usage:

General Characteristics:


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Pan 100

Type: Black and White

Speed: ISO 100, DIN 21

Available Formats: 35mm, 120

Granularity:

Latitude: EI 50/18 to EI 200/24

Color Saturation: n/a

Resolving Power:

History:

Primary Usage:

General Characteristics:

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Pan 400

Type: Black and White

Speed: ISO 400, DIN 27

Available Formats: 35mm, 120

Granularity:

Latitude: EI 200/24 to EI 3200/36

Color Saturation: n/a

Resolving Power:

History:

Primary Usage:

General Characteristics:

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Kodak






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